Indicative texts

There are no set texts: your selection for research and investigation will depend on your arena of practice. Your tutor will advise you on appropriate sources. You will find the University's Summon of help in searching for these sources.

Arden, P. (2006) Whatever You Think, Think The Opposite: London, Penguin

Doble, R. (2010) Experimental Digital Photography, Lark Books

Eno, B. Nyman, M. (1999) Experimental Music: Cage and Beyond (Music in the Twentieth Century), Cambridge University Press

Faber, L. and Walters, H. (2004) Animation Unlimited: Innovative Short Films Since 1940, London: Laurence King Publishing Ltd.

Hess, John and Zimmerman, Patricia (1999) 'Transnational Digital Imaginaries' by John Hess and Patricia R. Zimmermann, in WIDE ANGLE, No. 1 Vol. 21 (January 1999), pp. 149-167.

Holmes, T. (2002) Electronic and Experimental Music (Media and Popularculture), Routledge

Kaupelis, R. (1992) Experimental Drawing Techniques: Watson-Guptill Publications Inc.,U.S.; New edition

Le Grice, M. (2002) Experimental Cinema in the Digital Age (BFI Film Classics), London: BFI Publishing

Leslie, E. (2002) Hollywood Flatlands: Animation, Critical Theory and the Avant-Garde: London: Verso

O’Pray, R.(2003) Avant-Garde Film: Forms, Themes and Passions, London: Wallflower Press

Peuvion, J.P., van Trigt, E., de Saram, R., and Pousseur, H. (2008) Electronic Experimental and Microtonal 1953-1999, Sub Rosa (CD)

Reekie, D. (2007) Subversion: The Definitive History of Underground Cinema: Wallflower Press

Shaw, J. and Weibel, P. (eds.) (2003) Future Cinema: The Cinematic Imaginary after Film. MIT Press

Tala, S. (2009) Installations and Experimental Printmaking, A & C Black Publishers Ltd